Sunday, July 05, 2009

Only in the lower 48


Bill Cunningham points to a discussion over here about "lo-fi sci-fi". This would be movies like Primer or these Neill Blomkamp shorts:


There's movies like Infest Wisely (I haven't watched it yet but it seems like a good idea.)

Although ideologically I favor such pictures, not one of these has actually made any money.

This tutorial on building a 3D room in AfterEffects has inspired me as far as making a "comic book movie". My feeling now is that we do virtually everything in AfterEffects: with all the prep of images in Photoshop. That's actually kinda exciting.

I do really wish I could get an effect which makes the live-action footage look like drawings or paintings. So far none of the tests I've done has created what I really want. We can certainly make the visual effects look like cartoons, why can't we do that with the live action? Maybe we just go to super super super-duper high contrast?


Saturday, July 04, 2009

Independence Day Update

There have been a number of news reports about my dad's handrails the opening of the Statue of Liberty, featuring my dad's handrails.

Liberty




My dad let us shoot our most recent picture in his shop on the weekends.

Just after he gave us permission, he got the contract to build railing for the helical stairs which go up inside the Statue of Liberty to its crown. This was a major job, one which would have normally taken 6 months to complete. They had 6 weeks.
So obviously the shop was working on the weekends, and so were we. All of us tried to share space with one another (many sound takes were ruined, we accidentally trampled over a template for the stair -- which we didn't replace exactly correctly -- eeks!). But we all got done on time.

The crown of the Statue of Liberty has been closed since September 11, 2001. Today, July 4, 2009, it reopened.

This is my father's description of the finished stair (he went about halfway up just as they completed the work and decided that his "octogenarian knees" shouldn't go any further and came back down.)

"The staircase is such a tight helix, and unbelievably steep - almost like a circular ladder. Getting accurate measurements is absolutely impossible. The detailers spent many long hours (at night) trying to make templates. Then the shop would fabricate a piece shaped to the best guess of the detailers. Each piece had to be trucked to the dock, loaded onto the work boat and taken to the island. It then had to be hand carried several hundred yards, passed through security and up a flight of stairs to reach the elevator. The elevator could lift only to level 5P (5th floor of the pedestal). The rails then had to be carried to level 7P. Then the hard part began - getting them up the spiral stair and trying to fit them into their proper place. When a rail didn't fit, which was frequent, the transportation process had to be reversed to get it back to the shop so as to make the corrections and repeat the trek the following day."
They finished two days ago. And now the crown is open to the public.

The Los Angeles Times:

"The move was seen as part of President Obama's attempts to distance the administration from the policies of his predecessor that critics said had hardened America's image since Sept. 11. The Bush administration contended that the attacks and the deaths of hundreds of people in the collapsing World Trade Center towers underscored the potential dangers to crown visitors in the event of another attack or other emergency.

"Reaching the crown involves climbing a narrow double helix staircase, with no option of turning back because of the inevitable lines of people snaking their way up. There are 146 steps in the crown climb, said Darren Boch, a National Park Service spokesman. The total steps from the statue's base, which was reopened on 2004, to the crown number 354."

Friday, July 03, 2009

Japanese Reviews of Solar Vengeance


A review? I think. In Japanese. Of Solar Vengeance. It's hard to tell. They use an old teaser that we'd made -- I have no idea how they found it.

Here's another one.

Furthermore: Planet of the Apes takes place in New Jersey, right? The astronauts land in, what, Delaware? The Apes must live somewhere between Washington and Philadelphia. Or maybe Camden. So that when you go along the shoreline you end up (sorta) at the Statue of Liberty considering that the land between Jersey and Liberty Island filled in after the nuclear war?

The Statue of Liberty. That leads me to my next post.

Venus Upon the Sun


Apparently, all knowledge is stored at Wolfram Alpha. (Via John August.)

Auto Focus lenses to think about: will these do autofocus on a Panasonic four thirds camera with an adapter?
Canon EF 35mm f/1.4L USM (about $1300 -- the cheaper and slower version is the Canon EF 35/2)

Canon EF 85mm f1.2L USM Mark II (about $2000 -- the cheaper and slower version is the EF 85/1.8 USM)

Here is a list of lens adapters for four thirds cameras.

Thursday, July 02, 2009

Keylight


I never have understood Keylight. Here's a tutorial on it. He makes it look easy. Hmm.... we'll see...

Speaking of Video Copilot, I just ordered their Action Essentials 2 DVD. I need to start putting muzzle flashes in Clonehunter so I'm gonna need that DVD soon.

I think I gave away my last copy of Blake Snyder's Save the Cat. I gotta get more copies. He's actually going to have a seminar in New York August. I don't know if I'll be shooting then...

Guitar Strings

Cal Arts makes a strong showing here. The Happiest Monster:




I have a big announcement to make, one of vast importance. The "Blattocaster" guitar now has Light Top/Heavy Bottom 10's strings on it. Those are the best playing and the best sounding strings for that guitar. Ethan was right (and of course, he set up that guitar.)

.010 to .052's.

I've been reading some almost good scripts lately.

Life Size Entertainment is a sales rep. They haven't updated their site in quite a while.

I ordered another (smaller) bluescreen from eefx.com.

Oh and please stop sending me idiotic political screeds. I'm really over the secretmuslimimmagrantseverwhereblackhelicoptersblahblahblah.

Really.

I guess the crazies are so upset by their being a black President or whatever that they've even gone back to sending me their stupid diatribes. After 9/11 the portion of my own family which would have a tendency to do that has learned not to. But lately I've been getting this emailed crap from other people I know (people who aren't as out-and-out stupid as the stuff they forward would have you believe.)

I used to like InkTip. Heck, I even made a movie off of them. But then Jerrol LeBaron started sending me this stupid political crap. Real namby-pamby 2nd graders in a schoolyard crap. So I may just have to get my account cancelled.

Wednesday, July 01, 2009

Busying Giddy Minds


Soundcraft has a whole series on mixing on their YouTube channel.

I'm friends with much better directors than me. Chance Shirley's brilliant Interplanetary is getting reviews.


Remembrest thou the Blake Snyder Beat Sheet calculator.


Methodology


A methodology for using PluralEyes when shooting with the Canon D5.


Right now I'm not seeing much of a down side to the Panasonic GH1 for making movies. It's going to cost me $2K with the batteries and the FD to four thirds adapter (so I can use my Canon S.S.C. lenses). Looks like Adorama and B&H won't have them 'till sometime in July.

We'll still need the Panasonic HVX to shoot slow motion though.

David Latt of the Asylum can't get laid, but he's firmly entrenched in the pop culture world. (Warning: link is to a Sally Forth comic.)



Tuesday, June 30, 2009

What Good Are Notebooks?

There. A new picture of me. At my parent's apartment in Princeton.


I feel like Life in Wartime. I've changed my hairstyle so many times now...

*************
The Asylum must be getting pretty tired of the hate the press and the interwebs throw at them. They're the only one of the complete independent producers still able to get their pictures into Blockbuster anymore.

I could make a whole class argument about how the art-house film business requires that the filmmakers have patrons who can put money into films which have no realistic expectation of financial returns -- because they can afford it. A company like the Asylum puts their own money in -- they have no need for a patronage system. So of course they're hated...

In any case, The Asylum is moving to Burbank and they're kinda defensive about it.